A Memorial to Ice at the Dead Deer Disco is a new series of installations by Catskill, NY-based artist Marc Swanson inspired by the artwork and writings of Thomas Cole (1801-1848). A Memorial to Ice is jointly presented at the Thomas Cole National Historic Site and MASS MoCA. The companion exhibitions are curated by Denise Markonish, Senior Curator and Director of Exhibitions at MASS MoCA.
The companion exhibitions are Marc Swanson’s most ambitious installations yet and consist of sculptures and environments that look at the relationships between humans, culture, and the natural world. Swanson is creating a series of sculptures based loosely on dioramas and nature displays, as well as old Hollywood glamor, gravestones, and memorial monuments.
The works exist as both memorial and monument aligning climate change with the AIDS crisis. Swanson is interested in the fact that we seem to be living in the ruins of our future – mourning a world that will no longer exist as we know it, resulting from the impending loss and inevitable results of climate change, alongside the inability to control or change this outcome. For Swanson, nature and the disco have been the two places he has associated with letting go and freedom, but through the lens of loss and fear.
At the Thomas Cole Site, Swanson’s new work will be specifically sited within the historic interiors, and in conversation with Thomas Cole’s own work, which inspired the exhibition. Best-known today as the founder of the first major art movement of the United States, the Hudson River School, Thomas Cole created art and wrote extensively about the negative effects of development along Catskill Creek and in the Catskill Mountains in New York. Shortly after moving to the area, Swanson realized that his property along Catskill Creek was a favorite painting spot for Cole.
The exhibition is accompanied by a fully illustrated catalogue published by the Thomas Cole National Historic Site and MASS MoCA. The publication includes an essay by curator Denise Markonish, installation views from both museums, an interview between Marc Swanson and Kate Menconeri, and new writing by Ed Morris and Susannah Sayler, founders of EcoToolshed, and performer Jack Ferver.
Read the exhibition press release.
“The influences and inspirations of the past and present—the nightclubs of his youth, the woods of today, the works of Thomas Cole, the impact of climate change, the similarities of the initial non-responses of the White House to AIDS and COVID-19—are ever present, as they mix and mingle throughout A Memorial to Ice at the Dead Deer Disco.” – The Berkshire Eagle
Watch artist Marc Swanson discuss his new exhibit and how his work examines the relationship between humans and the natural world. – New England Public Media
The exhibition at the Thomas Cole Site is supported by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and the Kindred Spirits Society of the Thomas Cole National Historic Site.
Additional support provided by Susan Ball & John Brigham, Dawn Watson, Randy Correll, Nannette Sloan, Louise L. Arias, Ginnie Gardiner, Guorui Shi & Wenling Zhao, Jesse Moore & David Gaizo Yellin.
Watch a conversation with Marc Swanson and the Curators from MASS MoCA and the Thomas Cole Historic Site on the new exhibition, presented by the Thomas Cole National Historic Site as part of the 2022 Sunday Salons series of conversations.
OPEN HOUSE: CONTEMPORARY ART IN CONVERSATION WITH COLE
Marc Swanson’s presentation at the Thomas Cole Site is part of the ongoing series, Open House: Contemporary Art in Conversation with Cole, an annual series of curated contemporary art installations sited within and in response to the historic home and studios of artist and early environmentalist Thomas Cole. Operating from the concept that all art is contemporary, the program activates conversations between artists across centuries and is collaborative by nature. Projects may take the shape of a site-wide exhibition, performance, or other format reflecting the artist’s practice and ideas. Installations and artworks have ranged from those that literally reference Cole’s iconic works to those that expand on the same issues and themes that Cole addressed in his art and writing, including landscape, history, and balancing the built and natural worlds. Drawn from newly created or newly sited pre-existing works, OPEN HOUSE projects shed light on the connections between nineteenth-century American art and our contemporary moment.