Women Reframe American Landscape

Susie Barstow & Her Circle / Contemporary Practices

May 6-Oct 29, 2023

Curators: Dr. Nancy Siegel, Professor of Art History at Towson University; Kate Menconeri, Chief Curator and Director of Curatorial Affairs, Contemporary Art, and Fellowship at the Thomas Cole Site; and Amanda Malmstrom, Associate Curator at the Thomas Cole Site.

A two-part exhibition and accompanying publication illuminating the artistic contributions and perspectives of womenThe project reinserts the accomplished 19th-century American artist Susie Barstow (1836-1923) into the history of the Hudson River School of landscape painting and presents work by contemporary artists who expand and challenge how we think about “land” and “landscape” today.

Information Catalogue

The Pollinator Pavilion

Aug 7, 2020-May 9, 2023

By Mark Dion and Dana Sherwood

The site-specific outdoor public artwork designed by internationally renowned artists Mark Dion and Dana Sherwood. The Pavilion provides a fantastical architectural setting to encounter birds year-round while exploring a nurturing relationship with nature.

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MARC SWANSON

A Memorial to Ice at the Dead Deer Disco

Jul 16-Nov 27, 2022

A new series of installations by Marc Swanson inspired by the artwork and writings of Thomas Cole (1801-1848). A Memorial to Ice is jointly presented at the Thomas Cole National Historic Site and MASS MoCA. The companion exhibitions are curated by Denise Markonish, Senior Curator and Director of Exhibitions at MASS MoCA.

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Thomas Cole’s Studio

Memory and Inspiration

Apr 30-Oct 30, 2022

Curator: Franklin Kelly, Senior Curator and Christiane Ellis Valone Curator of American Paintings at the National Gallery of Art.

This exhibition reassembles the paintings that were in Thomas Cole’s studio when he died suddenly at the age of 47 in 1848 and explores the significance of the artist’s late work for art in America.

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Cross Pollination

Heade, Cole, Church & Our Contemporary Moment

Jun 12-Oct 31, 2021

Presented across both the Thomas Cole National Historic Site & Frederic Church’s Olana

A collaborative exhibition of 19th-century and contemporary art exploring the theme of “cross pollination” in art and the environment.

Created by Thomas Cole National Historical Site, The Olana Partnership at Olana State Historic Site, and Crystal Bridges Museum of American Art, Bentonville, Arkansas. Its tour is organized by Crystal Bridges.

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SHI GUORUI:

Ab/Sense-Pre/Sense

Curator: Kate Menconeri, Thomas Cole Site Curator

Sep 22-Dec 15, 2019

The exhibition features a new series of large-scale landscape photographs by the international contemporary artist Shi Guorui that pay homage to the landscapes and legacy of Thomas Cole. The exhibition is part of our annual series OPEN HOUSE: Contemporary Art in Conversation with Cole.

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Thomas Cole’s Refrain:

The Paintings of Catskill Creek

Curator: H. Daniel Peck, John Guy Vassar, Jr., Professor Emeritus of English, Vassar College

May 4-Nov 3, 2019

The exhibition illuminates Thomas Cole’s Catskill Creek paintings, considered for the first time as an integral series.

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The Art of Emily Cole

Curator: Amanda Malmstrom, 2019 Cole Fellow

March 2- Aug 11, 2019

The first solo exhibition of Emily Cole’s artwork on both paper and porcelain, revealing her exquisitely painted botanicals. Emily Cole was Thomas Cole’s daughter and the only one of his children to
become an artist.

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Emily Cole, Untitled (detail), n.d., watercolor and pencil on paper, 7 5/16? x 10 5/16?.

Landmark

Curators: Kate Menconeri and Kathy Greenwood, Director, Art & Culture Program, Albany International Airport

Sep 29-Feb 25, 2019

The Thomas Cole Site and the Albany International Airport present a new multidisciplinary exhibition that features 10 contemporary visual artists and 7 writers whose works explore our relationship to the natural world, and share common ground with Thomas Cole’s greatest written work, Essay on American Scenery. The gallery is open daily from 7 am to 11 pm.

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Lisa Sanditz, Fumigation Tents, 2016, acrylic and spray paint on canvas, 54 x 70”, photograph courtesy the artist

SPECTRUM

Curator: Kate Menconeri, Thomas Cole Site Curator

Aug 14 – Nov 18, 2018

A contemporary art exhibition installed throughout the historic site as part of the ongoing series OPEN HOUSE: Contemporary Art in Conversation with Cole. The exhibition grew out of conversations between the Cole Site curator Kate Menconeri, the artist Kiki Smith, and exhibiting artists.

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Painting: Place (Place), 2017, Jackie Saccoccio. Oil and mica on Linen, 79 x 90 in. Courtesy of the artist and Van Doren Waxter,

Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance

Curators: Tim Barringer, Paul Mellon Professor in the History of Art at Yale, Jennifer Raab, Associate Professor in the History of Art at Yale, Sophie Lynford, Ph.D. candidate at Yale and Nicholas Robbins, Ph.D. candidate at Yale

May 1 – Nov 4, 2018

Information Catalogue

Photo © Peter Aaron/OTTO

KIKI SMITH / “From the Creek”

Curator: Kate Menconeri, Thomas Cole Site Curator

Aug 12 – Nov 19, 2017

 Photo © Peter Aaron/OTTO
Information Catalogue

“Sanford R. Gifford in the Catskills”

Curator: Kevin J. Avery, Ph.D., Senior Research Scholar at the Metropolitan Museum of Art

Apr 30 – Oct 29, 2017 

Photo © Peter Aaron/OTTO

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“Thomas Cole: The Artist as Architect”

Curator: Annette Blaugrund, Ph.D., Independent Scholar, Author and Curator, and former Director of the National Academy Museum & School of Fine Arts    

May 1 – Oct 30, 2016

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JASON MIDDLEBROOK: “Nature Builds / We Cover”

Curator: Kate Menconeri, Thomas Cole Site Curator

Aug 14 – Oct 30, 2016

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“River Crossings: Contemporary Art Comes Home”

Curators: Stephen Hannock, Contemporary Artist and Jason Rosenfeld, Ph.D., Distinguished Chair and Professor of Art History at Marymount Manhattan College and Senior Writer and Editor-at-Large for the Brooklyn Rail

May 3-Nov 1, 2015

Photo © Peter Aaron/OTTO

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Stanley Maltzman / “Thomas Cole’s Honey”

Curator: Kate Menconeri, Thomas Cole Site Curator

July 26- Oct 2, 2014

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“Master, Mentor, Master – Thomas Cole & Frederic Church”

Curators: John Wilmerding, Ph.D., Sarofim Professor of American Art, Emeritus, at Princeton University and former Senior Curator and Deputy Director of the National Gallery of Art 

Apr 30 – Nov 2, 2014

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“Albert Bierstadt in New York and New England”

Curator: Annette Blaugrund, Ph.D., Independent Scholar, Author and Curator, and former Director of the National Academy Museum & School of Fine Arts

May 1 – Nov 3, 2013

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“Worlds Between: Landscapes of Louis Rémy Mignot”

Curator: Katherine E. Manthorne, Ph.D., Professor of American and Latin American Art at the CUNY Graduate Center, and former Research Center Head at the Smithsonian American Art Museum  

Apr 29 – Oct 28, 2012

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Robert S. Duncanson “the spiritual striving of the freedman’s sons”

Curator: Joseph D. Ketner II, the Henry and Lois Foster Chair in Contemporary Art Theory and Practice at Emerson College, Boston

May 1 – October 30, 2011

Information Catalogue

“Remember the Ladies”

Curators: Nancy Siegel, Ph.D., Professor of Art History at Towson University and Jennifer Krieger, Managing Partner of Hawthorne Fine Art and Academic Scholar  

May 2- Oct 31, 2010

Information Catalogue

“River Views of the Hudson River School”

Curator: Nancy Siegal, Ph.D., Professor of Art History at Towson University    

May 2- Oct 31, 2009

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“Thomas Cole’s Sketch Paintings: An Exploration of the Creative Process”

Curator: Elizabeth B. Jacks, Thomas Cole Site Executive Director

May 3 – Oct 26, 2008

Information Catalogue

“Asher B. Durand: Intimate Observations”

Curator: Lee Vedder, Ph.D., Independent Curator and former Henry Luce Curatorial Fellow in American Art at the New-York Historical Society     

May 20 – Oct 28, 2007

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“Jasper Cropsey: Interpreting Nature”

Curator: Elizabeth Stevens, former Thomas Cole Site Curator    

May 7 – Oct 29, 2006

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“George Inness: Paintings”

Curator: Elizabeth Stevens, former Thomas Cole Site Curator    

May 1 – Oct 30, 2005

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Support for the Thomas Cole Site programs and operations is provided by the Henry Luce Foundation, National Park Service, the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, The Bay & Paul Foundations, Enoch Foundation, the Warner Foundation, The Manitou Fund, Brown Foundation, a Humanities New York SHARP Grant with support from the National Endowment for the Humanities and the federal American Rescue Plan, The Educational Foundation of America, The J. M. Kaplan Fund, Tianaderrah Foundation, and the Kindred Spirits Society of the Thomas Cole National Historic Site.

The Program Endowment that supports educational programs at the Thomas Cole National Historic Site has been made possible in part by a major grant from the National Endowment for the Humanities: Exploring the human endeavor. Any views, findings, conclusions or recommendations expressed in this the programs do not necessarily represent those of the National Endowment for the Humanities.

Meg DiStefanoPast Exhibitions